Short stories: David Foster Wallace

Harper’s has a collection of David Foster Wallace’s short stories that were published in the magazine throughout his life. I haven’t read all of them yet, but I did read “The Depressed Person” and “Brief Interviews with Hideous Men.”

I’m not sure you’re supposed to like them; they’re the kind of short story that is only supposed to make you uncomfortable. I want to say I don’t see the point in reading those kinds of short stories – I usually don’t read short stories at all for that reason – but it is interesting to see his technique evolve. And, yes, I do understand that there’s some kind of point to this type of short story, but I just don’t have the patience for it.

The one that really shines, for me, is “Shipping Out: On the (nearly lethal) comforts of a luxury cruise.” This one I suppose falls under the category of ‘essay’ rather than ‘short story,’ being non-fiction and written from first-person point of view of the author. The short stories are such a merciless grinding of human faults and failings… you are supposed to laugh, probably, but the subjects of the stories wouldn’t understand what you are laughing about. And perhaps (probably) it was intended that way by the author, to set up an uncomfortable, almost unbearable, tension. In Shipping Out, at least, you are allowed to have empathy, perhaps unintended by the author, but there nonetheless.

Another Vote for Grit

Christoph Neimann has this to say in a recent 99% article:

Ultimately, my whole approach to what I do is 95% effort and 5% talent. I really see it as a sport. You probably won’t become a tennis player if you don’t stand on the court for six hours a day and whack balls over the net. And if you do that, you have to be incredibly untalented for it not to work. But I think it’s tempting to think as a creative professional, you sit there and you’re creative. So much of it is just doing it everyday for hours.

Looks like another vote for grit over talent…

Spam of the Day

Q: What is the correct response to the following?

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A: The correct response is:

- My only regret is that you found me at all.

NaNo Pep Talk from Brandon Sanderson

One of the lessons I learned as a storyteller was how to refill the creative well while doing other activities. You can do it while driving, exercising, eating . . . anything that doesn’t take your full attention. During these times, many writers I know run through plots in their heads, feel out character personalities, think about conflicts. They make connections, overcoming blocks.

Personally, I’ve found this practice to be essential in promoting healthy writing habits. As a full-time writer, it can actually be harder to refill my creative well, as I’m working on my writing all of the time. One of the ways NaNo could help a writer is by training them to use off moments to delve, mentally, into their stories. Instead of turning on the television as you wash dishes, turn on some music and think through character interactions. Plan out what you’re going to write the next day.

- from the NaNo Pep Talk for Nov. 23, 2011 by Brandon Sanderson

This blog entry is part of Foxtail’s Post A Day efforts during November, undertaken in the “get-out-there-and-write-something” spirit of NaNoWriMo.

Sunday is Neil Gaiman Day

In honor of Neil Gaiman doing a guest appearance on the Simpsons today, here is a brief collection of Gaiman-related links:

Neil Gaiman on the Simpsons
Preview clip of the Simpsons – Season 23, Episode 6 – “The Book Job”

(courtesy www.guardian.co.uk)

Neil Gaiman is a prolific Twitterer: @neilhimself
Trending twitter topics stemming from Neil’s appearance on the Simpsons: #BritishFonzie

And here is some artwork inspired by American Gods over at Super Punch:

Mad Sweeny by Rory Phillips

Mad Sweeny by Rory Phillips

This blog entry is part of Foxtail’s Post A Day efforts during November, undertaken in the “get-out-there-and-write-something” spirit of NaNoWriMo.

Magic Realism

More Murakami… I don’t think this well will ever go dry.

“I live in Tokyo,” he told me, “a kind of civilized world — like New York or Los Angeles or London or Paris. If you want to find a magical situation, magical things, you have to go deep inside yourself. So that is what I do. People say it’s magic realism — but in the depths of my soul, it’s just realism. Not magical. While I’m writing, it’s very natural, very logical, very realistic and reasonable.”

- Haruki Murikami, from NY Times interview Oct. 21/2011 (Here is a link to the article on the youmightfindyourself.com site, I’m not sure how this link works because you can read the article on the site but if you try to click on the headline, it bumps you to the NY Times site where they want you to log in. So just go to youmightfindyourself.com and scroll down the #Murakami tagged page that I’ve linked to until you find it…)

I like the idea of magic realism entirely making sense within the story, which it often doesn’t. Too often the “magic” bit sticks out from the “realism” bits like a sore thumb and the characters in the story go about doing their best to try and ignore it. I think the most successful magic realism stories are able to pull you in to a world that is like dreaming, where things must make sense because they are there, but are not actively or passively ignored in an attempt to make them go away.

This blog entry is part of Foxtail’s Post A Day efforts during November, undertaken in the “get-out-there-and-write-something” spirit of NaNoWriMo.

Haruki Murakami on Writing and Jazz

Fantastic blog post on youmightfindyourself.com by Haruki Murakami on how jazz taught him to be a writer. He says:

One of my all-time favorite jazz pianists is Thelonious Monk. Once, when someone asked him how he managed to get a certain special sound out of the piano, Monk pointed to the keyboard and said: “It can’t be any new note. When you look at the keyboard, all the notes are there already. But if you mean a note enough, it will sound different. You got to pick the notes you really mean!”

Somehow it’s kind of comforting to know that Murakami didn’t think he could write a novel until he was 30. More reading: another Murakami comment on the theme of ‘story’, embedded in Town of Cats, or see Paul Auster’s thought on music and writing.

This blog entry is part of Foxtail’s Post A Day efforts during November, undertaken in the “get-out-there-and-write-something” spirit of NaNoWriMo.

Flannery O’Connor’s Writing Tips

“This may seem a small matter but the omniscient narrator never speaks colloquially. This is something it has taken me a long time to learn myself. Every time you do it you lower the tone.”

See eight more writing tips from Flannery O’Connor over at The Happiness Project.

This blog entry is part of Foxtail’s Post A Day efforts during November, undertaken in the “get-out-there-and-write-something” spirit of NaNoWriMo.

NaNo Pep Talk from Lemony Snicket

Okay, so I “cheated” on my NaNo blogging commitment a bit over the weekend. I used pictures instead of words… I’m in the mid-month slump. So, to cheer myself up, I’m posting one of the NaNo pep talk emails from last year, my favourite one, written by Lemony Snicket.*  Jonathan Swift, bless his heart, would be proud, I dare say.

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Dear Cohort,

Struggling with your novel? Paralyzed by the fear that it’s nowhere near good enough? Feeling caught in a trap of your own devising? You should probably give up.

For one thing, writing is a dying form. One reads of this every day. Every magazine and newspaper, every hardcover and paperback, every website and most walls near the freeway trumpet the news that nobody reads anymore, and everyone has read these statements and felt their powerful effects. The authors of all those articles and editorials, all those manifestos and essays, all those exclamations and eulogies – what would they say if they knew you were writing something? They would urge you, in bold-faced print, to stop.

Clearly, the future is moving us proudly and zippily away from the written word, so writing a novel is actually interfering with the natural progress of modern society. It is old-fashioned and fuddy-duddy, a relic of a time when people took artistic expression seriously and found solace in a good story told well. We are in the process of disentangling ourselves from that kind of peace of mind, so it is rude for you to hinder the world by insisting on adhering to the beloved paradigms of the past. It is like sitting in a gondola, listening to the water carry you across the water, while everyone else is zooming over you in jetpacks, belching smoke into the sky. Stop it, is what the jet-packers would say to you. Stop it this instant, you in that beautiful craft of intricately-carved wood that is giving you such a pleasant journey.

Besides, there are already plenty of novels. There is no need for a new one. One could devote one’s entire life to reading the work of Henry James, for instance, and never touch another novel by any other author, and never be hungry for anything else, the way one could live on nothing but multivitamin tablets and pureed root vegetables and never find oneself craving wild mushroom soup or linguini with clam sauce or a plain roasted chicken with lemon-zested dandelion greens or strong black coffee or a perfectly ripe peach or chips and salsa or caramel ice cream on top of poppyseed cake or smoked salmon with capers or aged goat cheese or a gin gimlet or some other startling item sprung from the imagination of some unknown cook. In fact, think of the world of literature as an enormous meal, and your novel as some small piddling ingredient – the drawn butter, for example, served next to a large, boiled lobster. Who wants that? If it were brought to the table, surely most people would ask that it be removed post-haste.

Even if you insisted on finishing your novel, what for? Novels sit unpublished, or published but unsold, or sold but unread, or read but unreread, lonely on shelves and in drawers and under the legs of wobbly tables. They are like seashells on the beach. Not enough people marvel over them. They pick them up and put them down. Even your friends and associates will never appreciate your novel the way you want them to. In fact, there are likely just a handful of readers out in the world who are perfect for your book, who will take it to heart and feel its mighty ripples throughout their lives, and you will likely never meet them, at least under the proper circumstances. So who cares? Think of that secret favorite book of yours – not the one you tell people you like best, but that book so good that you refuse to share it with people because they’d never understand it. Perhaps it’s not even a whole book, just a tiny portion that you’ll never forget as long as you live. Nobody knows you feel this way about that tiny portion of literature, so what does it matter? The author of that small bright thing, that treasured whisper deep in your heart, never should have bothered.

Of course, it may well be that you are writing not for some perfect reader someplace, but for yourself, and that is the biggest folly of them all, because it will not work. You will not be happy all of the time. Unlike most things that most people make, your novel will not be perfect. It may well be considerably less than one-fourth perfect, and this will frustrate you and sadden you. This is why you should stop. Most people are not writing novels which is why there is so little frustration and sadness in the world, particularly as we zoom on past the novel in our smoky jet packs soon to be equipped with pureed food. The next time you find yourself in a group of people, stop and think to yourself, probably no one here is writing a novel. This is why everyone is so content, here at this bus stop or in line at the supermarket or standing around this baggage carousel or sitting around in this doctor’s waiting room or in seventh grade or in Johannesburg. Give up your novel, and join the crowd. Think of all the things you could do with your time instead of participating in a noble and storied art form. There are things in your cupboards that likely need to be moved around.

In short, quit. Writing a novel is a tiny candle in a dark, swirling world. It brings light and warmth and hope to the lucky few who, against insufferable odds and despite a juggernaut of irritations, find themselves in the right place to hold it. Blow it out, so our eyes will not be drawn to its power. Extinguish it so we can get some sleep. I plan to quit writing novels myself, sometime in the next hundred years.

–Lemony Snicket

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*I don’t normally steal entire bits of writing and post them wholesale, but this (as far as I can tell) has not been ported over to the new NaNo 2011 site, and it deserves to be read. So it will have a home here until someone sends me a ‘please cease and desist’ notice.

This blog entry is part of Foxtail’s Post A Day efforts during November, undertaken in the “get-out-there-and-write-something” spirit of NaNoWriMo. Except, of course, I didn’t write this one.